Tuesday, August 11, 2026 · Issue 03 for women who only answer to themselves

Pillar · 5 of 5

Roots

Lineage, place, ancestors, archetype. Where you come from, what you carry, and the older story you are part of whether you remember it or not.

More from Roots

Recent essays

Essay

Jaguar Women of the Maya: Shapeshifting Power on the Jungle Thrones

In the Classic Maya world, the jaguar was never merely an animal. It was night made flesh, the underworld walking on four legs, the raw intelligence of the forest itself. When that power fused with female rulers and ritual specialists, it produced one of the clearest ancestral expressions of the feral feminine: women who sat on thrones like predators, bled for the gods, and moved between human and animal, city and jungle, without apology.

Essay

The Stories We Inherited: The Invisible Baggage We Carry From Those Who Came Before Us

We carry the expectations of generations before us - especially as women. But what if the path drawn for us no longer fits who we are becoming?

Essay

Why Is a Woman's Sexuality Still Treated as Society's Business?

Society has long policed women’s bodies and desires while celebrating men’s sexuality. It’s time to question why a woman’s personal choices continue to be treated as public property.

Essay

Phoolan Devi: The Bandit Queen Who Refused to Bow

She was violated, discarded, and told she was nothing. Then she picked up a gun and became the nightmare of every man who tried to break her. Phoolan Devi’s life is a raw invocation of the Dark Goddess in human form.

Essay

Beyond the Virgin Queen Myth: Sovereign Women and Their Consorts

From ancient Egypt to West Africa and imperial Russia, history’s most formidable female rulers didn’t just defy patriarchy-they built intimate networks of male consorts and favorites that fueled their reigns. Beyond the sanitized “Virgin Queen” myth lies a fiercer truth: sovereign women who commanded desire on their own terms.

Essay

Of Praiseworthy Men and Women - Desire That Awakens the Garden

In the second essay of our Perfumed Garden series, we explore Nefzawi’s portraits of ideal lovers — not as rigid ideals, but as reflections on presence, vitality, and the kind of embodiment that calls the body into full aliveness.